Enter an OCLC number without leading zeros. OCLC assigns a unique number to each bibliographic record input into WorldCat. Thirteen-digit ISBNs must begin with either 978 or 979. Nowadays she recieves commissions from different places like Mexico, Hong Kong or Paris.An ISBN is a unique number assigned to an item by its publisher. As a result a faster and more direct approach was achieved, and those speed and immediacy are demanded features of her most recent oeuvre.Īnd this quickness it is also applicable to the way her work has spread though the internet: Just like gunpowder. However, her impulsive temperament collided with the wait and patience needed on the use of those techniques, and the difficulty of incorporating text fragments accompanying the images, which was needed based on her judgment, made her swap oil paint, copper, wood, to ink pens, watercolors and India ink. She mastered lithography, silk-screen and woodcut printing at the Taller99 of Santiago de Chile and at Urbino, Italy. Until relatively not so long ago her style combined pictorial work of engraving and oil paint.
Paula Bonet, born in Villareal, Castellón, in 1980, BSA on Fine Arts at the Polytechnic University of Valencia completes her formation at the NYU of New York, at the UPC of Santiago de Chile and at Dedalo Arte, Italy. "There are a total of 30 brief letters" according to her. They will be letters that my professor sent me, with his advices on technical and pictorial illustrated theoretical for me. They have decided to recover those letters and transform them into a book.
At that time she maintained a very close relationship with her painting professor in Valencia during those months and maintained a very dense chain of emails full of questions about the job she was learning. The proffesion matter, how to teach the technique of drawing and painting or engraving in Santiago was something I had to deal with logic. The experience was amazing in all aspects. She was twenty, the first time traveling alone for so long and so far away. While studying Fine Arts decided to go to complete her training in Santiago de Chile. She recognizes being great fan of Conrad Roset, Maria Herreros, Chamo San, Amaia Arrazola, Guim Tio, Ricardo Cavolo and she also loves the work of Elfandiary, David Penela and Mariana à Miseravel. She always end up doing very short works. She loves engraving and lines and speed of execution, very similar to the pencil and paper, but the patience required by the following whole stamping process makes her very nervous. The fact that the drying goes faster allows her to move forward forcefully, to be more faithful to her impulses, not having to rethink what she does next step while oil layers are dry.
Pencil and paper as well as watercolors,all let her to get lost and disappear instinctively during execution job.
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